The Absence of Alice: Lines of Flight and Self-Assemblage, the third iteration within The Absence of Alice, reflects an evolving engagement with biotechnological themes and expands on the transformative journey of Saos-2 cells exploring how these cells embody continual "becoming." Drawing on Deleuzian and Guattarian ideas of “lines of flight” and “assemblage,” the exhibition reimagines Alice’s cells as part of a dynamic network of biological, cultural, and philosophical connections.

Each piece contributes to an interlinked structure that emphasises chance, iteration, and life’s inherent unpredictability. Works include A Shrine for Algernon, a lifelike fetal calf sculpture symbolizing unseen sacrifices in both biological research and consumption; The Contamination of Alice, featuring wire structures that represent the impact of unforeseen influences, like fungal contamination in cell cultures; and Patterns in Randomness, a computational piece generating rhizome-like neural structureslinking embodiment with creative randomness. Lastly, The Materiality of Absence explores the conceptual possibilities opened by accidents, embodying the theme of "becoming" through the acceptance of rupture and unexpected change.