Phase 2 Compression: Tumour Baby
Phase 1 Compression: Tumour Baby is a photomedia series that documents the life and eventual death of the artist’s fibroid cells, which proved unsuitable for reprogramming into an immortalised cell line as pat of the Posthuman Genetic Legacies Project. This failure led to the later transformation of Peripheral Blood Mononuclear Cells (PBMCs) into induced pluripotent stem cells (iPSCs) in Phase 2.
The series incorporates cosmic imagery within cell culture flasks, creating visual connections between the cellular life cycle and broader cosmic processes. By placing these cells within a celestial context, the work suggests that, like all matter, cellular material eventually returns to the universe, becoming building blocks for future organisms and elements. Each print subtly includes impressions of essential molecules—such as oxygen and hydrogen—the cosmic building blocks of life, thus reinforcing the interconnectedness of all matter. Through these elements, Phase 1 Compression: Tumour Baby becomes a reflection on cycles of life and death, emphasising the idea that even as individual cells die, they contribute to the greater fabric of the universe.
This work was developed with A/Prof. Brad Sutherland and Dr Jo-Maree Courtney from the UTAS School of Medicine and formed part of the collaborative Transformation Studies exhibition at Moonah Art Centre in 2023.
PROJECT DETAILS:
Svenja Kratz, Phase 1 Compression: Tumour Baby, 2023, Photomedia: Digital Print on Matt Archival Paper. Series of Six.
Transformation Studies was initiated during a 2021|22 Australian Network for Art and Technology (ANAT) Synapse Residency in a creative partnership between the School of Creative Arts and Media and School of Medicine at the Univeristy of Tasmania. The Synapse program is made possible through the generous support of the Copyright Agency’s Cultural Fund. Lab outcomes were realised with generous assistance from Dr Ashish Mehta, Dr Ariane Gelinas-Marion, Dr Lachlan Brown, Natalie King and Ayda Issa. Creative works were realised with support fom Murray Antill, Nic Randall and Peter Marseveen. Many thanks are also extended to the UTAS Sutherland Peri-Vascular Research Group and the team at Moonah Art Centre.
Thank you.